Specifying Spring ‘83
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- Indeed, I want to make a case for protocols — for whole little social networks — as investigations and experiments. It doesn’t take a million users, or a thousand, or even a hundred, to learn genuinely interesting and important things: about the protocols themselves, about new ways of relating online, about people in all their glorious weirdness.
- Give it a few evenings. Imagine something new; describe it as clearly as you can. You don’t have to actually build your something — you don’t even have to publish your description. It’s the imagining and the describing, the challenging work of expressing your dreams and desires clearly, that turns out to be useful and bracing … and fun!
- Mentions seem simple, but I think they’re hugely fraught, and not only when they become a vector for harassment and abuse. I suspect the fairy tales tell us something real and true: names have power, and the invocation of a name always carries an impact. Even when it’s nothing but nice! Like ringing a bell.
I don’t, however, think the solution is a jet cockpit’s worth of access controls. Rather, I suspect there might be some clever new formulation of the “mention” waiting out there, just waiting to be discovered …
- Platform design seems to me now like a sharp hilltop with steep slopes descending in both directions. A platform built around twitchy compulsion will trend towards addiction; a platform built around stolid patience will trend towards … forgetting about it.
- So, the partisans of patience need some new tricks. We need ways of claiming space on screens — asserting the existence of our alternatives — without conceding an inch to the twitchosphere. Email works, of course; it’s likely you’re reading this newsletter because of an email. I just think there ought to be more than one (1) crusty digital distribution channel we can depend on.
- It takes a weird kind of person to want to host other people’s content.
Like, it’s kind of insane! Host content for people who you don’t KNOW? And take on, perforce, either (a) the obligation to moderate it upfront, “reading everything”—impossible — or (b) the burden of knowing you didn’t, so those weirdos could be out there posting anything, right now?
- Digital spaces are sometimes analogized to homes or restaurants, with the implication that of course you’re free to kick someone out, just as you would in your home or restaurant. Back before I’d ever hosted anything for anyone, I nodded along to this analogy, but now I see that it’s incomplete, because people only visit your home or restaurant while you’re there. These real spaces are, by the standards of digital spaces, almost impossibly well-moderated.
- This suggests a challenge: could you design a protocol that truly makes people responsible for their own content, eliminating or at least blunting the peril and stress of hosting? That puts us back in the world of “everybody should just host their own content on their own website”, which is, of course, what some people have been saying is necessary for decades. Well, it hasn’t caught on yet, and I don’t see any indication that it will … but maybe there is some analogy available, some reproduction of that arrangement on a different level, that could begin to address this challenge.
- But we, as users of the global internet, cannot just ride the same rollercoaster again. It’s too embarrassing to be trapped inside these hungry corporate gambits, these dumb proper nouns. The nouns and verbs of our online relationships should be lowercase, the way “magazine” is lowercase, the way “movie” is lowercase. Anybody can make a movie. Anybody can try.
- Does this protocol recreate something that already exists?
The opportunity before us, as investigators and experimenters in the 2020s, isn’t to make Twitter or Tumblr or Instagram again, just “in a better way” this time. Repeating myself from above: a decentralized or federated timeline is still a timeline, and for me, the timeline is the problem.
This digital medium remains liquid, protean, full of potential. Even after a decade of stasis, these pixels, and the ways of relating behind them, will eagerly become whatever you imagine.