The Founder of Teenage Engineering Opens Up to His Creative Space

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Highlights

  • I immediately felt as if for Jesper it’s less about doing more than about doing things more creatively (View Highlight)
  • What I have learned is that many things are basically the same in different disciplines. So if you work with fashion or design or filmmaking, or even banking, you know, it’s basically the same principles that have a different shape, but if you’ve moved from one to another, then you start to see the pattern. Everything I do is some kind of experiment and I’ve been surprised many times that if you have the will to try things, chances are that it works (View Highlight)
  • I try not to share a vision but work on what may inspire people and teach them values to live a life they are happy with. If you’re not happy working with a specific subject, experiment, do something else, that’s why a lot of people in our company have moved within the organisation. I’m always pushing people to find a way to be happier going to work. And I’ve always questioned why people have hobbies, why can’t life just be one entity, why do you have to separate family from work? It’s very common that you go to work doing something you don’t like, that’s why you need to have hobbies as a substitute to make you happy. (View Highlight)
  • Does going slow allow you to play? — It does! Something new we have going on is the partnership with the company Nothing that brought fresh ideas into our products. We’re having fun, we’ll do anything but don’t release everything and that’s a big difference for us. (View Highlight)
  • I believe design is just good engineering. That’s why I tell my designers to always think like an engineer. (View Highlight)
  • I always planned to live in a one-room apartment without any money. I don’t want to be connected to any material stuff. I like things because it’s an experience; I can be materialistic in that way, for instance, I can buy an expensive car just to explore how it is to drive it but then for me it’s more the learning process that I like and so I don’t fear. I think that’s my only strength, I am not afraid of failing and of being poor but of course, it’s not fun. I feel like money is just a tool to do the things I like. I actually have this goal to do my best work when I’m 75. So right now I’m still learning, I’m a total novice, and when I reach that point I should be able to work on a masterpiece. (View Highlight)
  • It’s super interesting for me to see how many successful companies had this kind of setup, where products got created from a place of passion and as soon as they start to speculate on what the market wants in order to make more money, they inevitably start to fail because all you’re looking at is the present situation, not how it’s going to be in ten years from now. But I have this kind of guideline where I look at how people spend their time and how that changes over time. (View Highlight)
  • I never set out to start companies, I see it more like putting together a band and that’s the thing we create and hopefully, we’ll be recognised for that thing that stands for good quality (View Highlight)
  • I could call myself a ”serial creative”. I want to work in the same way, with the same process and find a couple of people along the way to play with (View Highlight)
  • When the pendulum moves back, the next step will be physical aberration where you want to touch everything again and that’s a bit of what I’m working on. Objects that you can touch, not like a keypad, something you can actually interact with. What’s so beautiful about creating products is that saying it in a poetic way, if you have that passion it naturally starts waves and those waves connect people. (View Highlight)

title: “The Founder of Teenage Engineering Opens Up to His Creative Space” author: “scandinavianmind.com” url: ”https://scandinavianmind.com/feature/human-touch-interview-jesper-kouthoofd-teenage-engineering” date: 2023-12-19 source: reader tags: media/articles

The Founder of Teenage Engineering Opens Up to His Creative Space

rw-book-cover

Metadata

Highlights

  • I immediately felt as if for Jesper it’s less about doing more than about doing things more creatively (View Highlight)
  • What I have learned is that many things are basically the same in different disciplines. So if you work with fashion or design or filmmaking, or even banking, you know, it’s basically the same principles that have a different shape, but if you’ve moved from one to another, then you start to see the pattern. Everything I do is some kind of experiment and I’ve been surprised many times that if you have the will to try things, chances are that it works (View Highlight)
  • I try not to share a vision but work on what may inspire people and teach them values to live a life they are happy with. If you’re not happy working with a specific subject, experiment, do something else, that’s why a lot of people in our company have moved within the organisation. I’m always pushing people to find a way to be happier going to work. And I’ve always questioned why people have hobbies, why can’t life just be one entity, why do you have to separate family from work? It’s very common that you go to work doing something you don’t like, that’s why you need to have hobbies as a substitute to make you happy. (View Highlight)
  • Does going slow allow you to play? — It does! Something new we have going on is the partnership with the company Nothing that brought fresh ideas into our products. We’re having fun, we’ll do anything but don’t release everything and that’s a big difference for us. (View Highlight)
  • I believe design is just good engineering. That’s why I tell my designers to always think like an engineer. (View Highlight)
  • I always planned to live in a one-room apartment without any money. I don’t want to be connected to any material stuff. I like things because it’s an experience; I can be materialistic in that way, for instance, I can buy an expensive car just to explore how it is to drive it but then for me it’s more the learning process that I like and so I don’t fear. I think that’s my only strength, I am not afraid of failing and of being poor but of course, it’s not fun. I feel like money is just a tool to do the things I like. I actually have this goal to do my best work when I’m 75. So right now I’m still learning, I’m a total novice, and when I reach that point I should be able to work on a masterpiece. (View Highlight)
  • It’s super interesting for me to see how many successful companies had this kind of setup, where products got created from a place of passion and as soon as they start to speculate on what the market wants in order to make more money, they inevitably start to fail because all you’re looking at is the present situation, not how it’s going to be in ten years from now. But I have this kind of guideline where I look at how people spend their time and how that changes over time. (View Highlight)
  • I never set out to start companies, I see it more like putting together a band and that’s the thing we create and hopefully, we’ll be recognised for that thing that stands for good quality (View Highlight)
  • I could call myself a ”serial creative”. I want to work in the same way, with the same process and find a couple of people along the way to play with (View Highlight)
  • When the pendulum moves back, the next step will be physical aberration where you want to touch everything again and that’s a bit of what I’m working on. Objects that you can touch, not like a keypad, something you can actually interact with. What’s so beautiful about creating products is that saying it in a poetic way, if you have that passion it naturally starts waves and those waves connect people. (View Highlight)