The Power of Long Exposure: Not How a Place Looks, but How It Feels

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Highlights

  • Each day is new and wonderful. It’s incomprehensible that I could have such splendor all to myself. (View Highlight)
  • When I first set out with my camera, my goal was to create images that evoked the same emotions I felt when making them. I was not trying to show the viewer what these places looked like, but rather what they felt like. For 15 years, I made many images that failed to capture the essence of my experience. Still, just the process of being out there making exposures was meditative. There was a rhythm to it: set up the tripod, mount the camera, frame the shot, focus the camera, set the shutter, insert the film holder, pull the dark slide, make the exposure, re-insert the dark slide, remove the film holder, take down the camera, fold up the tripod, and then move down the beach and do it all over again. (View Highlight)
  • I think of art as the communication of an idea, thought, or emotion through craft. In my case, I am trying to communicate an emotion — the emotion I felt when I was making the exposure — using the craft of photography. (View Highlight)

title: “The Power of Long Exposure: Not How a Place Looks, but How It Feels” author: “Guest Author” url: ”https://petapixel.com/2021/12/10/the-power-of-long-exposure-not-how-a-place-looks-but-how-it-feels/” date: 2023-12-19 source: reader tags: media/articles

The Power of Long Exposure: Not How a Place Looks, but How It Feels

rw-book-cover

Metadata

Highlights

  • Each day is new and wonderful. It’s incomprehensible that I could have such splendor all to myself. (View Highlight)
  • When I first set out with my camera, my goal was to create images that evoked the same emotions I felt when making them. I was not trying to show the viewer what these places looked like, but rather what they felt like. For 15 years, I made many images that failed to capture the essence of my experience. Still, just the process of being out there making exposures was meditative. There was a rhythm to it: set up the tripod, mount the camera, frame the shot, focus the camera, set the shutter, insert the film holder, pull the dark slide, make the exposure, re-insert the dark slide, remove the film holder, take down the camera, fold up the tripod, and then move down the beach and do it all over again. (View Highlight)
  • I think of art as the communication of an idea, thought, or emotion through craft. In my case, I am trying to communicate an emotion — the emotion I felt when I was making the exposure — using the craft of photography. (View Highlight)