The Power of Long Exposure: Not How a Place Looks, but How It Feels
![rw-book-cover](https://petapixel.com/assets/uploads/2021/12/The-Power-of-Long-Exposure-Not-How-A-Place-Looks-But-How-It-Feels.jpg)
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Highlights
- Each day is new and wonderful. It’s incomprehensible that I could have such splendor all to myself. (View Highlight)
- When I first set out with my camera, my goal was to create images that evoked the same emotions I felt when making them. I was not trying to show the viewer what these places looked like, but rather what they felt like.
For 15 years, I made many images that failed to capture the essence of my experience. Still, just the process of being out there making exposures was meditative. There was a rhythm to it: set up the tripod, mount the camera, frame the shot, focus the camera, set the shutter, insert the film holder, pull the dark slide, make the exposure, re-insert the dark slide, remove the film holder, take down the camera, fold up the tripod, and then move down the beach and do it all over again. (View Highlight)
- I think of art as the communication of an idea, thought, or emotion through craft. In my case, I am trying to communicate an emotion — the emotion I felt when I was making the exposure — using the craft of photography. (View Highlight)
The Power of Long Exposure: Not How a Place Looks, but How It Feels
![rw-book-cover](https://petapixel.com/assets/uploads/2021/12/The-Power-of-Long-Exposure-Not-How-A-Place-Looks-But-How-It-Feels.jpg)
Metadata
Highlights
- Each day is new and wonderful. It’s incomprehensible that I could have such splendor all to myself. (View Highlight)
- When I first set out with my camera, my goal was to create images that evoked the same emotions I felt when making them. I was not trying to show the viewer what these places looked like, but rather what they felt like.
For 15 years, I made many images that failed to capture the essence of my experience. Still, just the process of being out there making exposures was meditative. There was a rhythm to it: set up the tripod, mount the camera, frame the shot, focus the camera, set the shutter, insert the film holder, pull the dark slide, make the exposure, re-insert the dark slide, remove the film holder, take down the camera, fold up the tripod, and then move down the beach and do it all over again. (View Highlight)
- I think of art as the communication of an idea, thought, or emotion through craft. In my case, I am trying to communicate an emotion — the emotion I felt when I was making the exposure — using the craft of photography. (View Highlight)